Several years ago I began a painting (shown below) in a Sarah Shrift's oil painting class at the Birmingham Bloomfield Art Center. After finishing the painting at home, I entered it in the student show. It was rejected. Some month's later I entered the same (unaltered) painting in a professional show and it won an award.
"Pick" 20" x 20" oil on canvas |
It is all subjective, Dear Ones. When we do anything creative, some people will hate it, some will love it. So, what do we do with those opinions?
If someone else loves it, does that make it good? If someone else hates it should we cover it with gesso, sand it down, or put it out to the curb for the trash collectors? I think we have to use our own judgement.
The agent rejected my book. It was a nice rejection—for a REJECTION. She enjoyed my voice and the story. She wished me well in placing it with someone else and reminded me that her opinion was subjective.
If someone else loves it, does that make it good? If someone else hates it should we cover it with gesso, sand it down, or put it out to the curb for the trash collectors? I think we have to use our own judgement.
The agent rejected my book. It was a nice rejection—for a REJECTION. She enjoyed my voice and the story. She wished me well in placing it with someone else and reminded me that her opinion was subjective.
Years ago, back in the stone age, when I wrote something that got rejected, I'd address a new envelope, and immediately send it out to someone else.
Sometimes we know, or at least believe, that what we’ve done is good. Leave it as is. Submit it somewhere else.
But sometimes there is doubt. Look at it again. It’s easier with a painting. It’s visibly right there in front of your face. With a book—58,000 words—it’s harder to know. But the truth is, I do know. The book needs more work, more thought, more time.
Okay, so back to the laptop, which is much easier than etching in stone.
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